 Cai Guo-Qiang : awarded at the 48th Venice Biennale
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Cai Guo-Qiang was born in Quanzhou, in China in 1957 and grew up during the Cultural Revolution (1966-1976). He immigrated to Japan in 1986 and, in 1995, to New York, where he works and lives.
In 1999 he was awarded one of the three International prizes presented to individual artists participating in the 48th Venice Biennale.
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Artistic Approach
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 Cai Guo-Qiang, Project for Extraterrestrials No. 16 : The Earth Has Its Black Hole, Too, 1994 Hiroshima Central Park
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Passage of the text Cai Guo-Qiang takes 'The Rent Collection Courtyard' from cultural revolution model sculpture to winner of the 48th Venice Biennale International Award, by Britta Erickson
"Cai Guo-Qiang's work is rich and varied, but he is best known for his site specific gunpowder events, and for his installations employing traditional Chinese medicines.
… (His works) juxtapose the controlled activity of painting with the uncontrollable force of fire, highlighting the dichotomy between humankind and cosmic forces, while bringing them into harmonious conjunction in a work of art.
Cai subsequently developed a technique for 'drawing' on paper with gunpowder, and now makes gunpowder sketches as an integral part of his proposals for major explosive events. Such sketches, along with photographic records, are often the only tangible remnants of these ephemeral events."
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Project for the Biennale
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 Cai Guo-Qiang, Transient Rainbow, June 29, 2002 Video Filmed by: Araki Takahisa Edited by: Cai Guo-Qiang and Araki Takahisa Commissioned by Museum of Modern Art, New York Courtesy of the artist and the MoMa
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Statement for Impression Oil Drawing: Transient Rainbow, work shown at the 3rd Biennale de Montréal 2002 by Cai Guo-Qiang
"This series of paintings are taken from past explosion events, the still frames of the TV monitor replaying the video documentation converging with the still frames of my memory.
Painted in impressionistic style, I consider these to be drawings of sorts. The urge to paint them is the same as the basic desire for two-dimensional expression that attracted me to become a painter as a young man.
And in a world so full of changes and variables, the stability to work in a controllable space and environment is particularly attractive.
The difficulties facing painting and drawing today are also challenges for me in the exploration of the work."
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Works Shown at the 3rd Biennale de Montréal
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Solo Exhibitions and Projects (selection)
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2002Demeter, Tokachi International Contemporary Art Exhibition, JapAn
Transient Rainbow, Museum of Modern Art, New York, United States
Cai Guo-Qiang, Shangai Art Museum, China
Cai Guo-Qiang, CHADO Pavilion, Hakone Open Air Museum, Japan
2001 An Arbitrary History, Musée d'art contemporain de Lyon, France (cat.)
Artistic Direction for APEC Cityscape Fireworks, Asia Pacific Economic Cooperation, Shangai, China
UmoCA, Arte all'Arte, Arte Continua, Colla di Val d'Elsa, Italy
Performing Chinese Ink Painting, Contemporary Art Gallery, Vancouver (British Columbia), Canada
Impressionistic Drawings, Charles H. Scott Gallery, Vancouver (British Columbia), Canada
2000 Ascending a Staircase, 69th Regiment Armory, New York, United States
Project for Project, Fondation Cartier pour l'art contemporain, Paris, France (cat.)
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Group Exhibitions and Projects (selection)
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2002La 3e Biennale de Montréal - 2002, Montréal (Québec), Canada
Painting without Painting, Museum für bildende Künste, Leipzig, Germany
2001 Artistic Direction for APEC Cityscape Fireworks, Asia Pacific Economic Cooperation, Shangai, China
Form Follows Function, Castello di Rivoli, Museo d'arte contemporeana, Turin, Italy
Mega Wave, Yokohama 2001 International Triennial of Contemporary Art, Yokohama, Japan
Bienal de Valencia, Spain
Project Refreshing, 49ième Biennale de Venise, Italy
Locus/Focus, Sonsbeek 9, Arnhem, Holland
Gift, Palazzo Papesse, Sienne, Italy
Visual environment for /Asunder, Yin Mei Dance, Danspace, St. Marks's Church, New York, United States
2000 Shangai Spirit, Shangai Biennial, Shangai Museum of Modern Art, China
Open End-MoMA 2000, Museum of Modern Art, New York, United States
media_city_seoul, Seoul Metropolitain Museum, Korea
Echigo-Tasumari Art Triennial, Nigata, Japan
The Quite in the Land, Museu de Arte Moderna da Bahia, Salvador, Brazil
Sharing Exoticism, 5ième Biennale de Lyon, France
Art/Unlimited/Basel/2000, Art/31/Bâle, Switzerland
The Act of Resistance, Koldo Mitxelena Kulturunea, Donostia-San Sabastian, Spain
Biennial of Sydney 2000, Art Gallery of New South Wales, Sydney, Australia
Over the Edges, SMAK, Gent, Belgium
2000 Biennial Exhibition, Withney Museum of American Art, New York, United States
Outbound, Houston Contemporary Arts Museum, United States
Wall, National Museum of History, Taiwan
Gratitude, Taiwan Museum of art, Taiwan
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Publications
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RASPAIL, Thierry, Cai Guo-Qiang, Independent Publisher Group, 2002
ZAYA , Octavio, Cai Guo-Qiang, Contemporary artist series, Phaidon Press LTD, 2002
DAWEI, Fei, Cai Guo-Qiang, Thames and Hudson LTD, 2000
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Cai Guo-Qiang on the Web
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