International exhibitors include the Rotterdam Film Festival, the Sydney Museum of Contemporary Art, the Bonn Videonale, and the European Media Art Festival. Additionally, Mr. Rodriguez's work has been included in virtual exhibitions organized by Alt-X Network, and broadcast on WNET in New York and CANAL+ in France.

Portrait of the Artist as a Home Page has been selected for the upcoming editions of L.A. Freewaves, and has been exhibited by The Open Museum, Incident.net, The Free Biennial, Free Manifesta, and Le Musée di-visioniste.

Her new media piece Virus Corp was created during residency at StudioXX, a women's new media group in Montreal. Virus Corp was included in this year's Maid in Cyberspace Festival at Studio XX.

Tara Bethune-Leamen's first job was as a co-writer [with sister Katie] for 'The Ozlets' [an Australian version of the Muppets] at age15. She founded her company 3V Corp in 1996. For 3V she has shot snowboarders for TSN, burlesque for Kitten Natividad, created promotional videos for Japan's Hysteric Glamour clothing company, and directed a music video containing a 3-d animated Japanese sex doll and skyblue lowriders for Virgin, Spain.

Her work continues as a videographer/interviewer/editor-for-hire on a documentary concerning American foreign policy and the Middle East. 3V is currently creating a trilogy of short films.

Not often does a kid from Canada get a chance to have his work in Artforum, no matter how talented he might be. But this is the utopian vision of the web at its best, the classic story that always seems theoretically possible but doesn't seem to happen often enough."
(Eryk Salvaggio)

Michael Daines also does professionnal Web design, at the following address (where one can also see his other Web works).

He conluded his studies with a thesis on the production of a plant-growth simulation program. In 1993, Durieu met Yves Bernard, with whom he founded Magic Media, a multimedia production company in Bruxelles. He developed many widely acclaimed CD-ROMs, including Promenade dans l'Art du XXe siècle, Le violon des hommes et des œuvres, and L'art du Moyen Âge.

In 1998, he met New York multimedia specialist Kristine Malden and settled in Paris. With Murielle Lefèvre and Jean-Jacques Birgé, he co-authored the Alphabet CD-ROM, which received 14 prizes worldwide. This is the first true work in which he could fully express himself, exploring all the possibilities of interactivity with utmost freedom.

In 2000, Frédéric and Kristine invent SetSearch, a visual search engine based on set theory.

Toward the end of 2000, he creates the multimedia production company LeCielEstBleu, whose associated Web site is an interactive art gallery: www.lecielestbleu.com.

With Jean-Jacques Birgé doing the music, Frédéric produces an animated puppet bestiary called the zoo, in 2001. It is a phenomenal success, attracting over 400,000 visitors.

Zoo was exhibited at Centre Pompidou during the summer of 2002.

The site now allows visitors to make up their own animations with a tool called PuppetTool.

Before devoting himself completely to digital creation in 1998, Jhave finished a six-year exploratory-font project of handwritten mixed-media which was entitled Book. The web project NomadLingo, a year long exploration of digitally-generated mobile-text work,-- was created from April1/2000 to April 1/2001 and exhibited as monthly installments at www.year01.com.

Born 1940, working in photography (since 1956), painting, drawing and printing (since 1960), video (since 1969), sound (since 1970), performance (since 1968), architecture (since 1972), ethnological documentary video (since 1985), working with all phenomena and materials, as well as animals and plants, all the elements. Founder of the Videoforum Berlin (1970/71), ADA (Aktionen der Avantgarde), together with Wolf Vostell and Jörn Merkert, 1973 and 1974, Architect and Director of Ruine derKuenste Berlin.

Recent Solo Exhibitions:

Her videos have been screened recently in VideominutoPopTV in Firenze Italy; Exquisite Corpse: Little Sins, at White Box NYC; Second Sight, a curated alumni show at Hunter College Times Square Gallery; Truckfood and Unpacked, two exhibitions about food in NYC moving trucks and meatlockers; Straylight, an online exhibition from Dublin; Video Marathon at Art in General; and American Sandwich at Star 67 Gallery in Brooklyn.

She has received a Canada Council for the Arts Grant for the creation of a body of performance work titled In the Public Eye. Seven performance projects have been installed in seven cities: including Ready to Play, a sidewalk game performance in Ottawa and Queens, NY; Tailor Made, a tailoring performance in MontrŽal and Toronto; Shampoo, a hair-washing performance for hair salons in Winnipeg and Toronto; and Borrowed Objects in New York City and upcomign in Ottawa. She performed Houseplant, a Houseplant adoption service, all summer long in New York, and will perform a series of temporary tattoo performances in Kitchener, Brooklyn, and Manhattan this Fall/Winter.

Upcoming: Borrowed Clothes (Seams) for Looking In - a site-specific exhibition in Lower Manhattan storefronts; Advice Lounge - a web project for Videographe and Vitamin B in Montreal; Ivy League, a web-based performance intervention with Landscape architect Kelty McKinnon; and Infamy - an animation for Transmedia'2002, a site-specific program for a Toronto LED board.

Mcdonald teaches Computer Art at Pace University and is co-curator of No Live Girls - a 60-artist video project for peepbooths at the Lusty Lady in San Francisco and Seattle: www.nolivegirls.org.

During college she studied Russian language and literature with the intention of one day becoming a spy. At graduate school, Brooke experimented with computers and the World Wide Web. Her current projects reflect her various interests in image making, espionage, and the Internet. She is interested in the effects of evolving, digital networks on experience in the physical, lived-in world.

Some of Brooke's recent activities include writing for Rhizome's Net Art News and co-curating the Sculpture Now exhibition at the Pittsburgh Center for the Arts. She has exhibited at the University of Southern California's Lindhurst Fine Arts Gallery in Los Angeles, Chicago's Version>02 festival, the Institute of Contemporary Arts in London, SIGGRAPH 2002 in San Antonio, Texas, and São Paulo's File-2002.